My creative space...

...is not going to be defeated by what seems to be a second wave of gastro, darn it! I have a deadline and I'm going to make it.

Behold: ten tea-towels, ready and waiting to be folded, packed and posted, once they've had their final threads snipped. Most of my swap-mates are not regulars here at clutterpunk so I don't think I'm spoiling anything by showing you:



Yes, some of you will recognise that this is an old idea of mine from creative spaces past. I knew when I signed up for this tea-towel swap that I was not going to try reinventing the wheel or trying out new techniques. And of course, then there were all those little green offcuts lying around from the dreaded green quilt.

This time I was keen to add some text but unsure how to do so. The plan was to 'write' it on with the sewing machine, but after a few trial runs it became clear that the lack of ability to truly 'free motion' on my sewing machine was going to make it a painfully slow, and potentially needle-snapping process. (For sewing nerds... my ancient Brother's feed-dogs cannot be lowered, and my attempts to do the next best thing and find a compatible darning foot/plate option have been sadly... fruitless). So I was going to hand-embroider, when I came across some printable fabric out of the blue...

I've added a label, which handily doubles as a loop for hanging on a hook or nail.

 

Over the green yet? I might give you a break from it next week :-)

Thanks Kirsty for hosting once again... add your creative space link over here.

Just a minute... in February (ish)

I'm sorry Jenaveve, if you're still out there reading. I just can't move on from this meme. It's always provided the best opportunity to clear my head.

Celebrating... the launch (today!) of the book I co-edited, a centenary history of the theological college where I spent some years studying, 'back in the day'. It was such a great project to work on, and I hope more editing opportunities present themselves in the future. But I'm not going to go out looking for them... I have too much sewing to do!

Sewing... Aprons, the green quilt top (now fully pieced), and some applique/thread-sketchery on tea towels for the great Tea Towel Swap-o-rama!

Reading (in hardcopy)... various books to help me sort out my sustainable ethical family-friendly grocery shopping priorities. I'll save the details for another post, but I'm gaining clarity and have a plan of attack!

Reading online... these newish blogs:

Light Shade of Green: Sonia is on about lots of things close to my heart sustainability-wise, and she articulates them so well. I've been enjoying reading back through her posts.

Apron Strings: 'Calamity Jane' is a self-professed cow-girl, renegade and cookie baker who is reclaiming housewifery! I've found her posts provocative, amusing, sometimes a little close to the bone. She's currently got me thinking about radical homemaking and feminism...

Running... like a trouper. Yes, yet another blogger outs herself as a running junkie. The year before I first got pregnant, I got the running bug and was a frequent (short-distance) pavement-pounder. In November last year, after a 3-and-a-half-year hiatus, it was finally the right time to get back out there. I started getting out three times a week, mostly walking but adding in spurts of jogging (I like to call this combination 'woggling'). I've continued building up gradually, getting out no more than three times a week, often less depending on how the family is situation.

Yesterday, I ran 15km. The longest I've ever run in one burst. For me, Ms Stumpy-legged 'No Good At Sport' girl, a big achievement. I'm still on a high.

Obessessing over...

Coffee and coffee sacks. I have both in my possession :-)

Thinking... that I'm going to try posting more frequently in March, because I have so much that I wish to document and process and workshop and all that, and 2-3 posts a week isn't enough right now. But don't feel obligated to read :-)

What has your February been full of? What does March hold?

::friday flickr favourites::

1. Patchwork scarf with lace, 2. Doily and linen garland, 3. woven linen quilt block, 4. Velo a Paris, detail 2006, 5. RDV a St Germanie des Pres, 2006, detail, 6. Paris Teacake; Single serving, 2003-2006, 7. Paris Teacake; Single Serving, 2003-2006, detail, 8. Highfield Wagga, 2002, 9. Jackson's baby quilt ~ Back

I couldn't pass up Tam's invitation to share some inspiration. I've been doing less making and more dreaming recently, and I'm starting to think about making a quilt/throw for the marital bed. Of course I have a zillion ideas I want to incorporate. I want it to be calm, muted, kind of ye olde worlde but also modern and funky, earthy but slightly frilly with a bit of doily action and maybe some thread sketchery oh and an ampersand or two. Are you with me?

So above I present to you my flickr craft crushes, very prominently featuring the work of the talented Tara Badcock, a textile artist of high calibre whose work I adore... errm, maybe I should just commission an artwork from her instead. Because she's hit the nail on the head precisely for me, and now anything I do will just be a cheap imitation. *SIGH*.

Whose work is floating your boat at the moment? Come and link in at 1/4 of an inch!

My creative space...

Playing around with a bit of applique, thread sketching and pears.... mmm, pears....

A set of serviettes, each one just a bit different. The green solid is scrap fabric from a quilt I'm making for my sister. I like that pop of green but actually I'm still pretty partial to the basic black-and-white scribble on the reverse side...

Now enough of my lame-o pears, if you want to check out the real thread sketching talent around these parts, please pop over here and salivate over Tara Badcock's work (thanks Lauren for pointing me in her direction). While you're at it go give Linguisticky lots of praise and adulation... she found my thread sketching tute via WhipUp and immediately took it to another level with THIS:

BAM! A continuous line drawing taken from a life drawing class and transformed into fabric art. LOVE IT. And I love the fact that a little tutorial from my blog has prompted a new burst of creativity for someone over the other side of the globe. That really gives me a kick.

Anyway, I'm grabbing a coffee and heading off to check out the explosion of creative spaces happening at Kootoyoo... see you there!

Thread sketching on fabric: techniques and tips

Recently I've done a little free motion machine embroidery, or thread sketching. From some of the comments I received it's clear that this seems all a bit fancy, mysterious and only for extreme sewists.

It's not.

So I've written this post to demystify the process of 'thread sketching', and hopefully some of you will be encouraged to give it a go. Disclaimer: I am no expert. I do not hold a degree in thread sketching. I've done no reading or classes. I'm simply giving you some tips from my own experience. This is the old 'hey, if I can do it...' approach. My way is in no way definitive, or even right at all! But it's worked well for me... hopefully you can bounce off what I've done and go and make your own wonderful discoveries.

Tools:

FABRIC & NOTIONS
- A piece of plain, preferably medium-weight cotton or linen (i.e. woven) material. A tea towel or serviette would be perfect.
- contrasting thread (your regular sewing thread)
-An air-soluble fabric pen to draw your design on

A SEWING MACHINE

- Just your regular sewing machine, set up with your regular sewing foot and a universal needle.

- No, you do not need a special foot, or to lower your feed-dogs. You could experiment with these later, but your regular set-up should work fine for now.

A DESIGN

That's right, 'free motion' does not mean '100% improvised'. A simple and minimal design will work best. You will be drawing only an outline onto your fabric - not too much detail. The sketchy, improvised look will come, not from your design, but from the way choose to stitch it.

Stuck for a design? You don't have to be a drawing genius. Use a stencil! Copy something out of your kids' colouring book! Trace around your hand. You are welcome to use my Bird on a Branch design idea. Draw your own bird, use a free applique design (like these ones) or trace/print the one below if you like:





Techniques



1. Transfer your design onto your fabric


Using an air-soluble marker, draw your design on. As you can see I've kept it fairly simple. The outer shape of the bird I used here was based on one in a kids' stencil book I was given. See, not looking so clever now, am I? :-)


2. Straight-stitch over your outline

Now you want to 'draw' over the outline with thread, just once, to make it clear on the fabric:

To do this, set your machine on a plain straight stitch, set to its shortest length (this will make it look like one long line). Start sewing, guiding the outline under your presser foot.

When negotiating turns and curves, just go slowly. To make sharp corners (like the beak, above)stop, lift your presser foot, pivot the fabric and lower the foot before continuing to sew along your outline.

TIP: Stop and start as much as you like, but try to do the whole thing with just one thread (i.e. don't pull the fabric out and cut the thread). The fewer loose threads you have, the better.This will probably mean going over some parts of your design more than once to get to other parts, which is fine.

3. Straight-stitch over your outline again. And maybe again!

Now we want to start adding some character and complexity. I think the most simple way to do this is just to sew over your outline again in straight stitch:

Pick up from where you've left off, preferably without removing the fabric or cutting the thread. This time, don't be so careful. Try to follow your design line approximately, but not precisely. (You can lengthen the stitch here if you like, but remember that the smaller the stitch length, the more ink-like your line will look).

Can you see what is happening? Just by tracing around the same thing a few times, you will start to build up texture and movement in your design. It will start to look a little sketchy, a little messy. Go out of the lines a bit, just for fun. Wasn't that naughty? Wheeeee...

Now, if you like, you could do your whole design simply in straight stitch like this. That would look just lovely. If that's what you'd like, read no further... go and get on with it!


4. Add some grunge!

For those who like to live really dangerously, well now it's your moment to shine. It's time to add some splotches and 'ink blobs', a bit of shading and thickness. To do this you will want to go over part or all of your design again, adding a bit of detail largely by varying the stitch length and stitch width:

This is what my stitch width dial looks like... you should have something similar on your machine (although I can't talk for computerised machines, sorry!)

This is my stitch length dial. For the straight sketching I kept it all between 1-2. For this part, I like to set it on 'satin stitch', which is the 'F' setting.

Choose a simple part of your design to start on (e.g. the branch). Decide on your stitch length. Start sewing, and as you go, wiggle the stitch width around a bit. I like to do this in short bursts, sometimes just going wide for a bit, sometimes cranking it up to maximum. There is no formula here, you have to be brave, have a go and see what it looks like. Here's a snippet of my branch:

Just to be clear, here's what I did:

- The top line is a wobbly zig-zag stitch. I have set my stitch length to maybe a medium. Then, as I'm sewing, I have turned the width dial up and back again.

- The second line looks like a regular straight stitch, but it's actually a satin stitch, which is just that bit denser. I didn't vary the width on that one.

- The fourth line is a satin stitch again, this time with the width varied, which produces a nice, thick, inky look. My favourite technique is to go over the design in satin stitch, just every now and then playing with the width dial.

And here's a shot of my bird:
As you can see I was fairly minimal on this bird. I did a widening satin stitch for the legs, and a wee bit of zig-zagging on the outline just for variation. I didn't think about where I was doing things, I just wanted to break up the line a bit.

Here's another bird I tried, with different effects:

This time I 'scribbled' inside the bird. You can do this by using a straight stitch and sewing back and forth in an area, holding and then releasing your reverse/back-tacking switch to change directions. You'll probably need to pull the fabric across gently as you sew so that the lines don't all end up on top of each other.

(I don't think this effect suits the design as well, but you need to experiment with techniques to see what you like!)

5. Finish, clip threads, iron, pat self on back.

That's it folks.

Please let me know if this is helpful, and if you do some experimentation. I'm very happy for you to use my design, but please link me in if you're blogging, and if you become rich and famous making 'bird on branch' thread sketches be sure to remember me in your will!

Happy sketching.